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《Can’t Get You Out of My Head》书评——凯莉的才华秘诀是什么?Can’t Get You Out of My Head by Michael Cragg review – what’s the secret of Kylie’s genius?

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在这本深入而真挚的澳大利亚音乐偶像传记中,这位流行歌星展现出了非凡的统一力。

The pop star emerges as a great unifier in this in-depth yet heartfelt portrait of an Aussie icon‘There’s an anxiety in declaring oneself a Kylie fan,” wrote the late San Francisco poet Kevin Killian (who nonetheless once published an entire collection devoted to the singer). Despite her remarkable longevity, with record-breaking chart success across five decades, Kylie’s place in the pop firmament has often felt more precarious than that of other artists, perhaps because of her past as a soap star, and the schmaltz of some of her early material with Stock Aitken Waterman.

已故的旧金山诗人凯文·基利安曾写道:‘宣称自己是凯莉的粉丝会让人感到不安’(尽管他后来出版了一整本专门研究她的诗集)。

The pop star emerges as a great unifier in this in-depth yet heartfelt portrait of an Aussie icon‘There’s an anxiety in declaring oneself a Kylie fan,” wrote the late San Francisco poet Kevin Killian (who nonetheless once published an entire collection devoted to the singer). Despite her remarkable longevity, with record-breaking chart success across five decades, Kylie’s place in the pop firmament has often felt more precarious than that of other artists, perhaps because of her past as a soap star, and the schmaltz of some of her early material with Stock Aitken Waterman.

尽管凯莉的职业生涯长达五十年,她的音乐作品屡创排行榜纪录,但她在流行音乐界的地位似乎始终比其他艺术家更不稳定,这可能是因为她曾出演过肥皂剧,以及她早期与Stock Aitken Waterman合作的一些作品过于商业化。然而,她始终保持着敏锐的自我意识,并敢于突破界限。

The pop star emerges as a great unifier in this in-depth yet heartfelt portrait of an Aussie icon‘There’s an anxiety in declaring oneself a Kylie fan,” wrote the late San Francisco poet Kevin Killian (who nonetheless once published an entire collection devoted to the singer). Despite her remarkable longevity, with record-breaking chart success across five decades, Kylie’s place in the pop firmament has often felt more precarious than that of other artists, perhaps because of her past as a soap star, and the schmaltz of some of her early material with Stock Aitken Waterman.

这一点在她1996年在皇家阿尔伯特音乐厅将一首糟糕的诗《I Should Be So Lucky》演绎得恰到好处时表现得淋漓尽致,也体现在她与实验性舞蹈制作人多次合作的作品中。

But she has always displayed a canny self-awareness, alongside a willingness to push the envelope. It’s evident in her knowing rendition of I Should Be So Lucky as a bad poem at the Royal Albert Hall in 1996, and her many collaborations with experimental dance producers. Then there’s her instinct for giving fans what they want: inarguable bangers, like those of her 2000s imperial phase, that also possess an offbeat, idiosyncratic quality, true of Can’t Get You Out of My Head and of her 2023 viral hit, Padam Padam.

她始终懂得如何满足粉丝的需求:无论是21世纪初那些经典热门单曲,还是2023年走红的《Padam Padam》,都兼具强烈的节奏感和独特的个性。

But she has always displayed a canny self-awareness, alongside a willingness to push the envelope. It’s evident in her knowing rendition of I Should Be So Lucky as a bad poem at the Royal Albert Hall in 1996, and her many collaborations with experimental dance producers. Then there’s her instinct for giving fans what they want: inarguable bangers, like those of her 2000s imperial phase, that also possess an offbeat, idiosyncratic quality, true of Can’t Get You Out of My Head and of her 2023 viral hit, Padam Padam.