在电影中，与现实生活不同，罪恶很少得不到惩罚。跨越国界和时代，电影中始终存在着一种强烈的道德说教倾向。
In movies, unlike in real life, sins rarely go unpunished. There’s a strong moralizing streak that cuts across borders and eras. Audiences may get a kick out of watching crimes and misdemeanors play out onscreen, but such stories typically end with a message that justice will eventually prevail.This makes Ryohei Yoshino’s “Shadow Work” unusual. It’s a film designed for mainstream consumption that offers a queasily convincing case for vigilantism, with nary a superhero costume in sight. Moral absolutists will probably be appalled, but if you’re prepared to leave your ethical hang-ups at the door, this might be the punchiest female revenge thriller to come out of Japan since Natsuo Kirino’s “Out.”
观众或许能从银幕上观看犯罪和不端行为中获得快感，但这类故事通常以正义终将伸张的讯息告终。这使得吉野耕平的《影子工作》显得与众不同。
In movies, unlike in real life, sins rarely go unpunished. There’s a strong moralizing streak that cuts across borders and eras. Audiences may get a kick out of watching crimes and misdemeanors play out onscreen, but such stories typically end with a message that justice will eventually prevail.This makes Ryohei Yoshino’s “Shadow Work” unusual. It’s a film designed for mainstream consumption that offers a queasily convincing case for vigilantism, with nary a superhero costume in sight. Moral absolutists will probably be appalled, but if you’re prepared to leave your ethical hang-ups at the door, this might be the punchiest female revenge thriller to come out of Japan since Natsuo Kirino’s “Out.”
这是一部为大众消费而设计的电影，它为私刑正义提供了一个令人不安且极具说服力的案例，且片中没有任何超级英雄的装束。
In movies, unlike in real life, sins rarely go unpunished. There’s a strong moralizing streak that cuts across borders and eras. Audiences may get a kick out of watching crimes and misdemeanors play out onscreen, but such stories typically end with a message that justice will eventually prevail.This makes Ryohei Yoshino’s “Shadow Work” unusual. It’s a film designed for mainstream consumption that offers a queasily convincing case for vigilantism, with nary a superhero costume in sight. Moral absolutists will probably be appalled, but if you’re prepared to leave your ethical hang-ups at the door, this might be the punchiest female revenge thriller to come out of Japan since Natsuo Kirino’s “Out.”
道德绝对主义者可能会感到震惊，但如果你准备好放下道德包袱，这可能是自桐野夏生的《OUT》以来，日本出品的最具冲击力的女性复仇惊悚片。
In movies, unlike in real life, sins rarely go unpunished. There’s a strong moralizing streak that cuts across borders and eras. Audiences may get a kick out of watching crimes and misdemeanors play out onscreen, but such stories typically end with a message that justice will eventually prevail.This makes Ryohei Yoshino’s “Shadow Work” unusual. It’s a film designed for mainstream consumption that offers a queasily convincing case for vigilantism, with nary a superhero costume in sight. Moral absolutists will probably be appalled, but if you’re prepared to leave your ethical hang-ups at the door, this might be the punchiest female revenge thriller to come out of Japan since Natsuo Kirino’s “Out.”