Ibraaz，伦敦。这部令人心碎的影像与声音作品因过于争议而未能入选威尼斯双年展，它通过愤怒的哀悼仪式，纪念各种谋杀与种族灭绝事件。哀悼之声蔓延至街头。
Ibraaz, London Too controversial for the Venice Biennale, this haunting video and audio work commemorates murders and genocides with an angry act of mourning The sound of mourning spills out into the streets.
在伦敦菲茨罗维亚区一家相对较新的文化中心Ibraaz的地下室里，一个悠长而无尽的哀鸣不断回响。
A single, endless wailing note echoes out of the basement of Ibraaz, a relatively new cultural centre in London’s Fitzrovia.
这就是加布里埃尔·戈利亚特令人痛彻心扉的《挽歌》：三部影片中，每位女性都持续吟唱同一个音符，直到肺部衰竭，再由另一位女性接替。就在音符即将消逝之际，它又被延续下去。
This is Gabrielle Goliath’s heart-wrenching Elegy, each of its three films featuring a woman singing just one note until their lungs falter and another woman steps up to fill in for her. Just as a note is about to die, it is sustained.
这是对谋杀、不公与种族灭绝的 haunting 而震撼的哀悼仪式。然而，它几乎未能面世。
It’s a haunting, shocking act of mourning for murder, injustice and genocide. And it almost never made it.