资深《神秘博士》编剧兼节目制作人拉塞尔·T·戴维斯批评了BBC新任总干事，因其对该剧一集AI生成内容的评论。
Longtime Doctor Who writer and showrunner Russell T Davies has criticised the new BBC director general over comments he made about an AI-generated episode of the show.
马特·布里廷去年九月在皇家电视学会会议上表示，他收到一段“相当不错”的50分钟非官方《神秘博士》剧集。
Matt Brittin told a Royal Television Society conference in September that he had been sent a "pretty good" 50-minute unofficial Doctor Who episode.
“在一个拥有编剧和艺术家的行业里这么说很笨拙，而这件事具体影响到的人，他们往往是第一个承受冲击的人，”戴维斯对BBC广播四台《媒体秀》节目说道。
"That's a clumsy thing to say in an industry where he's got writers and artists and it specifically affects people, they're the first to take the blow," Davies told BBC Radio 4's The Media Show.
针对他所受到的批评，布里廷上周在一次员工会议上表示，他当时试图就“变化的步伐”发表观点，同时强调他相信“人类的创造力”。
Addressing criticism he has received, Brittin told a staff meeting last week he was attempting to make a point around the "pace of change" while stressing he believed in "human creativity".
总干事开玩笑说他因为所说的话“惹上麻烦”了，但补充道：“我只是想说：看看变化的步伐以及这些东西能做什么。”他说：“我想说得非常清楚：人类在主导，我相信人类的创造力，这种创造力会被各种工具所增强。”他强调，人类主导的创造力始终是BBC使命的核心。
The director general joked he had "got into trouble" over what he had said, but added: "I was just trying to make the point: Look at the pace of change and what this stuff can do." He said: "I want to be really clear: Humans are leading, and I believe in human creativity, enhanced by whatever tools." He emphasised human-led creativity would always be at the heart of the BBC's mission.
但戴维斯在接受BBC广播四台采访时表示，这位在加入BBC前曾在谷歌工作的新任总干事“在电视行业工作的时间不长，未来可能不会那么敏锐地发表观点”。
But speaking to BBC Radio 4, Davies said that the new director general, who joined the BBC after a career at Google, "hasn't worked in television for that long and might not be so fruity with an opinion in future".
“我的收件箱一直‘叮咚叮咚叮咚叮咚叮咚’地响，所以上帝知道他的收件箱是什么情况，”他补充道。
"My inbox went ping ping ping ping ping, so God knows what his was like," he added.
戴维斯还被问及更广泛的AI话题，包括作家是否应该以及如何使用这项技术。
Davies was also asked more broadly about AI, including how, or if, writers should use the technology.
“我听说过一些作家使用AI提示来写初稿的故事，我觉得这很震惊，因为我认为……否则他们是拿钱来做什么的？他们在那里是为了做什么？”他说他自己不用AI来写剧本，但他“非常担心”它会开始取代作家，而在某些情况下，这种情况可能已经发生。
"I have heard stories of some writers using AI prompts to do a first draft which I find shocking because I think... What are you paid for otherwise? What are you there to do?" He said he did not use it to write his scripts but he "very much" worried it would start to replace writers, and in some circumstances that may already be the case.
戴维斯是英国最具影响力的电视编剧之一——从开创性的《酷儿乐园》到广受好评的《罪恶感》《年年有余》以及最近的《Tip Toe》，他对英国电视产生了重大影响。但也许他最重要的成就是他在《神秘博士》上的工作。
Davies is one of the UK's most influential television writers - from the ground-breaking Queer as Folk to acclaimed dramas including It's a Sin, Years and Years and, more recently, Tip Toe, he has had a major impact on British TV. But perhaps his most significant achievement is his work on Doctor Who.
2005年，他在曼彻斯特的一次聚会上向当时BBC戏剧部门负责人推销后，使时空领主在缺席16年后回归。
In 2005, he brought the Timelord back after a 16-year absence after pitching it to the BBC's then-head of drama at a party in Manchester.
他又在2023年复兴了该剧，尽管他今年早些时候已确认将离开。
He revived the show again in 2023, although he confirmed earlier this year he would be stepping away.
他在接受《媒体秀》采访时表示，曾因昂贵的特效和“爆炸不断、人们戴上假体”而“曾经害怕去《神秘博士》片场”。“比其他任何片场都更困难。”该剧如今处于十字路口。
He told The Media Show there were times he "used to dread going on a Doctor Who set" because of the expensive special effects and "explosions going on, people pulling themselves in to prosthetics". "It's more difficult than any other set." The show is now at a crossroads.
BBC取消了计划中的圣诞特别篇，迪士尼+也不再共同资助该系列。
The BBC cancelled the planned Christmas special and Disney+ no longer co-finances the series.
但戴维斯对《神秘博士》粉丝有好消息。他承诺，另一部系列正在筹备中，尽管他本人不会参与其中。
But Davies had good news for Doctor Who fans. Another series is on the cards, he promised, even though he will not be involved.
“你们将在明年夏天开始看到一部全新的博士和全新伙伴的制作。”戴维斯——他最近出版了回忆录《最酷儿的民众：一生电视》——22岁时在BBC儿童电视部门获得了第一次突破，日薪50英镑。“这可能是你能得到的最好培训，”他说。
"You'll start to see production with a brand-new Doctor, a brand-new companion, summer next year." Davies - who recently released his memoir 'The Queerest of Folk: A Life in Television' - got his first break aged 22 working in BBC children's TV "for £50 a day". "It was the best training you could possibly have," he said.
这位斯旺西出生的作家后来在格拉纳达电视的黄金时期磨练了技能，“当时《加冕街》的收视率达到1800万、2000万[次]”。
The Swansea-born writer later honed his skills in the heyday of Granada Television "when Coronation Street was getting 18 million, 20 million [views]".
在采访中，他还透露灵感可能来自最意想不到的来源——他“会录制《今日早晨》节目的来电”，并在晚上听取这些录音。
Also in the interview, he revealed inspiration can come from the most unlikely sources - he "records the phone-ins on This Morning" and listens to them in the evening.
“所有人类生活都在那里……一年只有几次，你会听到一个非凡的人类故事或一些非常有趣的事情。大约一年前我最喜欢的一个故事是关于一位女子，她的婆婆坚持要穿白色参加她的婚礼。”
"All human life is there… just a couple of times a year, you'll get an extraordinary human story or something very funny. One of my favourite ones about a year ago was a woman whose mother-in-law was insisting on wearing white to her wedding".
他认为有一天会从中得到一个剧本：“这真是个很棒的小问题——两个女人正处于战争之中。”拉塞尔·T·戴维斯的采访将于星期三下午4点15分在BBC Radio 4和BBC Sounds的《媒体秀》节目中播出。
He believes he will get a script out of that "one day": "What a great little problem that is - two women just at war." Russell T Davies' interview will be on The Media Show, Wednesday 4.15pm BBC Radio 4 & BBC Sounds