那场大洪水中令我记忆犹新的画面:棺材漂走,覆盖了一场足以扰乱死者安息的洪水。
The Image of the Great Flood That Stuck With Me: Caskets Floating Away Covering a flood powerful enough to disrupt the dead.
从整个春天到1993年夏天,在外界毫不知情的情况下,美国中部上空天降暴雨,起初是细雨绵绵,随后变成如圣经中所述的倾盆大雨,淹没了土壤,迫使密西西比河漫过河堤,蔑视人类的意志。这并非单场风暴引发的突发洪水,而是一个临时形成的海洋缓慢而稳定地上涨,在数周数月内,它将中西部九个州的整个城镇笼罩其中,或威胁要将其笼罩。
All spring and into the summer of 1993, beyond the notice of the outside world, the heavens opened up above the central United States, a steady stream at first and then biblical torrents that drowned the soil and forced the Mississippi River to climb over its banks and to defy the will of man. This was not the flash flood of a single storm but the slow, steady rise of a makeshift sea that over the weeks and months would drape itself over entire towns, or threaten to, in nine Midwestern states.
到那年六月,密西西比河及其支流——密苏里河、明尼苏达河、艾奥瓦河、锡达河、威斯康星河及其他河流——已无处可容,回到了高速公路和住宅区取而代之之前,曾经属于它们的原始平原上的原处。它们重新定居,并将停留长达200天。它们迫使无数城镇居民离家,对试图将河流引回人类指定河道的沙袋置之不理。
By that June, the Father of Waters and its tributaries — the Missouri, the Minnesota, the Iowa, the Cedar, the Wisconsin and the rest — had all run out of room and were returning to where they had been before highways and subdivisions displaced them on the primordial plains that had once been theirs. They re-established residence and would linger for as many as 200 days. They drove uncountable numbers of townspeople from their homes and paid no heed to the sandbags that tried to coax the rivers back into the channels that humans had assigned them.
当时我是《纽约时报》芝加哥分社社长,负责中西部12个州的报道,刚结束对芝加哥南区一个10岁男孩生活的数月深入采访,那是另一场灾难——20世纪90年代可卡因成瘾流行病的高峰期。我正期待着平静地回归日常世界,这时关于河流水位超过有史记录以来任何水位以及徒劳加固濒临决堤堤坝的报道开始出现。
I was The New York Times’s Chicago bureau chief at the time, responsible for the 12 states of the Midwest, and was coming off a monthslong immersion in the life of a 10-year-old boy on Chicago’s South Side at the height of a different calamity — the 1990s crack cocaine epidemic. I was anticipating a quiet re-entry into my everyday world, when reports began to surface of river crests beyond anything ever recorded and futile attempts to prop up failing levees.
当得梅因市因得梅因河和浣熊河漫过堤坝,淹没市政供水处理站,迫使高速公路和桥梁关闭,甚至使城市无法用水灭火而陷入瘫痪时,我已乘飞机前往艾奥瓦州。
By the time the city of Des Moines was shut down after the Des Moines and Raccoon rivers overran their dikes, engulfing the municipal water treatment station, forcing highways and bridges to close, and leaving the city without running water even to put out fires, I was on a plane to Iowa.
从靠窗的座位上,我能看到房屋的屋顶从河水中露出来,宛如海面上的浮标或木筏。我在餐巾纸背面写道:眼前的景象仿佛有人把大量咖啡倒在一块拼布毯上,而那块毯子恰好就是一片片农田与城镇。我会把这张纸条塞进包里留作日后使用——后来它果然被刊登在了当周日的报纸上。眼下,我必须赶往得梅因。
From the window seat I could see the roof caps of houses poking up from the river water like buoys and rafts out to sea. I wrote on the back of a napkin that it looked as if someone had spilled gallons and gallons of coffee on a patchwork quilt that happened to be farms and towns. I would tuck that note into my bag to save for an overview that would end up, as it turned out, in that Sunday’s paper. For now, I had to get to Des Moines.
报道灾难需要一种特殊的快速反应能力:敏捷的身手与持久的耐力。这种能力平时或许用不上,可一旦身处一场正在发生的灾难现场,你就必须立刻动身前往机场。在那段时间里,你的正常生活便暂时中止了。你必须在短时间内迅速了解一个你可能从未去过的地方的运作机制,以及与当前危机相关的专业领域知识。
Covering disasters requires a certain kind of accelerated metabolism, a nimbleness and stamina you might not need until you are suddenly heading to the airport into the middle of an unfolding catastrophe. Your life is now suspended for the duration. Overnight, you have to get up to speed on the inner workings of a place you may never have been to, and on whatever field of expertise applies to the crisis at hand.
那时手机还很少见,没有如今这样的GPS,也没有我们熟知的笔记本电脑。我们使用的则是那些带有DOS界面、配备笨重配件的巨型处理器,整体重量接近15磅。由于拨号上网极不稳定,谁也无法保证在这些设备上写下的内容能顺利传送到编辑手中。因此,我只能依靠笔、笔记本以及自己的直觉来完成报道。
There were few cellphones back then, no GPS and no laptops as we currently know them, but, instead, for us, hulking processors with DOS screens and clunky paraphernalia, all told weighing in at close to 15 pounds, with no guarantee that whatever you wrote on them would get to the editors, given the temperamental nature of dial-up. Thus I arrived with pens, notebooks and instinct.
前一年,我曾被派往南佛罗里达报道安德鲁飓风——那是当时美国历史上破坏力最强的一场飓风。我驾车穿行在一片荒芜之地:光秃秃的棕榈树、废弃的高速公路以及空无一人的收费站。在那里,我前所未有地见识到了大自然的威力。我走近一位惊魂未定的房主,他正站在自家房屋的残骸前,等待着疲惫不堪的理赔员前来处理。他周围堆满了飓风留下的残骸:缠结在一起的衣物、断裂的桌腿、翻倒的破椅子,还有一台冰箱。
The year before, I had been dispatched to South Florida to cover Hurricane Andrew, at the time the most damaging hurricane in U.S. history. I drove through the barren no man’s land of denuded palm trees, abandoned highways and empty tollbooths, and saw, as never before, the power of nature. I walked up to one of the many shellshocked homeowners as he stood in front of what was left of his house, awaiting the arrival of an overworked claims adjuster. He was surrounded by the rubble of the hurricane — matted mounds of clothing, broken table legs and torn-up chairs on their sides, a refrigerator.
“这是怎么可能的?”我问那人,“风怎么会把你的冰箱吹起来,一直吹到你的前院?这简直不可思议。”
“How is it possible,” I asked the man, “that the wind could pick up your refrigerator and blow it all the way out to your front yard? It is unbelievable.”
他摇了摇头,对这一切的规模感到震惊,并纠正我说:“那不是我的冰箱。”
He shook his head at the enormity of it all and corrected me. “That’s not my refrigerator.”
于是我以为自己已经为夏天可能带来的一切做好了准备。但大中西部洪水不仅仅是一场灾难。它是一场围困,最终成为美国现代史上最严重的洪水。无数纪录被打破,无数堤防决堤,无数居民被疏散,无数房屋和农民的大豆田被毁、被浸泡,持续了五个月,以至于“警戒水位”一词失去了所有意义,我和其他散布在该地区的《纽约时报》记者们也在为“洪水”和“水”寻找同义词时感到词穷。
So I considered myself prepared for whatever the summer had in store. But the Great Midwest Flood was not merely a disaster. It was a siege that would become the worst flood in modern U.S. history. So many records broken, so many levees breached, so many residents evacuated, so many houses and farmers’ soybean fields ruined and sodden over the course of five months that the term “flood stage” lost all meaning, and I and the other Times correspondents scattered over the region were running out of synonyms for “flood” and “water.”
随后,一则来自电讯的新闻简报报道了令人难以想象的事情:洪水冲走了密苏里州西北部一个小镇的大部分墓地。棺材顺着密苏里河漂流,或停靠在铁路轨道旁和大豆田中。这仿佛是《旧约》中的一幕。当我到达时,镇上的人告诉我,记者们已经来来去去,并且已经写过了那些棺材,而此时这些棺材正吸引着来自其他州的围观者。
Then a news brief came over the wires about the unimaginable: The flood had washed away most of the cemetery in a tiny town in northwestern Missouri. Caskets were floating down the Missouri River or had come to rest along railroad tracks and in soybean fields. It seemed like a scene out of the Old Testament. By the time I arrived, townspeople let me know that reporters had come and gone and had already written about the caskets, which were by now attracting gawkers from other states.
这并不是我飞往堪萨斯城,又开车45英里来到雷县乡镇哈丁的原因。这个故事不是关于棺材的。触动人心的故事是那些在多个层面上展现自身、而不仅仅停留在表面现象的故事。棺材或许能吸引读者的注意,但真正能留住注意力的是人们对不可思议之事的反应。
That was not why I had flown all the way to Kansas City and then driven 45 miles to the town of Hardin, in rural Ray County. The story was not about caskets. The stories that touch the soul are those that reveal themselves on multiple frequencies and are never only about what they seem on the surface. The caskets might have gotten a reader’s attention, but it was the human response to the unthinkable that would hold it.
在那个只有598人的农场小镇上,雷县验尸官迪恩·斯诺正在领导一处内战前墓地的遗体搜救工作,几乎所有曾在哈丁生活并去世的人都安葬于此。失去一切的镇民们如今为亲人的下落而忧心忡忡。正如我所写的那样,仿佛人们“又死了一次,幸存者必须重新悲痛”。
In that farm town of 598 people, the Ray County coroner, Dean Snow, was leading the recovery effort for a pre-Civil War cemetery where nearly everyone who had ever lived and died in Hardin had been buried. The townspeople who had lost everything to the flood were now worried sick over what had become of their loved ones. It was as if the people had “died all over again and the survivors must grieve anew,” I wrote.
每天他们都聚集在展览场,查看公告板上已找回并确认身份的死者名单。这项工作痛苦至极,更像是一场空难而非洪水,幸存者需要向志愿者提供他们能回忆起的已故亲属的任何描述,比如那位戴着Timex手表、衬衫口袋里放着滑尺的男子,或是另一位右臂上纹有“Irene”字样纹身的人。一位女子站在那里,神情痛苦,眼眶含泪,她紧盯着名单,因为墓地里葬着她的两任丈夫,她几乎要崩溃,担心错误的那具遗体被带走。“你不会对每个丈夫都有同样的感觉,”她告诉我。
Every day they gathered at the fairgrounds to scour the bulletin board where the names of the dead who had been recovered and identified were posted. It was a painful task, more akin to a plane crash than a flood, that required survivors to give volunteers any descriptions they could recall of their departed relatives, like the man who was wearing a Timex watch and had a slide rule in his shirt pocket, or another who had “a tattoo on his right arm that said ‘Irene.’”One woman, distraught and near tears as she stood there, searched the list close because she had two husbands in the cemetery and was beside herself at the thought that the wrong one might have been carried off. “You don’t feel the same way about every husband,” she told me.
后来,因为我独自一人,没有随行人员,验尸官允许我跟随他越过路障,前往墓地剩余的部分。他招呼了埃德·沃尔夫,这位朋友因多年前埋葬的死产儿子而痛不欲生,他恳求验尸官让他也随我们同行。两人在墓地中漫步,回忆着墓碑下安息的人们,仿佛在参加团聚。
Later, because I was by myself and not with a gaggle, the coroner let me accompany him past the barricades to what was left of the cemetery. He waved along Ed Wolfe, a friend who was so heartsick over the stillborn son he had buried years before that he beseeched the coroner to let him come with us. The two of them walked the cemetery reminiscing about the people beneath the headstones as if they were at a reunion.
“这是德拉的丈夫,”沃尔夫说着,指向一名二战老兵仍存的墓碑。
“That’s Della’s husband,” Wolfe said, pointing to the surviving headstone of a World War II veteran.
“是的,鲍勃的父亲,”斯诺低头说,“他在修车,结果车子掉在了他身上。”沃尔夫一直在墓地里徘徊,寻找他的父亲和早夭的儿子。我们很快来到被河流冲刷出的悬崖边缘,他看到他们的棺材所在的土地已不见,便陷了下去。
“Yeah, Bob’s dad,” Snow said, looking down. “He was working on his car, and it fell on him.”Wolfe had been pacing the cemetery the whole time, in search of his father and stillborn son. Soon we got to the edge of the cliff that had been gouged by the river, and he sank when he saw that the earth had vanished where their caskets had once been.
“我的孩子和我的父亲都走了,”他说,眼睛红红的,泪水汪汪的,“我们已经等了五周,希望他们平安无事。那下面的残骸如此散乱,我不知道还能否把他们找回。”
“My baby and my dad are gone,” he said, his eyes red and watery. “We’ve been hoping for five weeks they were safe. The way things are broken up down there, I don’t know if they’ll ever be recovered.”
这不是提问的时候,而是要表达同情。在成稿中,我以这样的话作结:“他擦干眼泪,回到道路上,踏过枯萎的玉米秆和小麦秸,去把这个消息告诉妻子。”我在堪萨斯城的一家旅馆里手写稿件,然后把它送到录音台,由录音台转交给编辑。当时我们根本没有电子邮件或高速无线网络,因为那时还没有向公众开放。
This was not the time for questions but for empathy. In the finished piece, I ended with: “He wiped his eyes and headed back to the road, walking over dead corn shucks and wheat stubble, to break the news to his wife.”I wrote the story in longhand back at a hotel in Kansas City and called it into the dictation desk, which passed it on to the editors. We had no concept of email or high-speed Wi-Fi back then because they did not exist for the general public.
回想起来,我对我们在资源极其匮乏的情况下所完成的工作感到敬畏。我们无法在谷歌上查询密西西比河的长度。没有互联网可以检索晦涩的科学文献,只能靠交叉指着希望在截止日前打通的研究人员电话,以及从报社图书馆(我们称之为“档案室”)紧急传真到旅馆前台的剪报。
As I look back, I am in awe of what all of us did with seemingly so little compared to now. We could not Google the length of the Mississippi River. There was no internet on which to search an oblique scientific reference, just finger-crossed calls to researchers that you hoped you could get on the phone before deadline, and the rushed clippings faxed to the front desk of your hotel from the newspaper’s librarians in what we used to call the morgue.
在紧要关头,所有办公室都已关闭时,我给我的土木工程师父亲打了电话。虽然他修的是桥梁而不是水利工程,但他非常乐于——事实上,他一生都在等待——谈论理论和术语,因为这将是他最接近看到我成为他曾希望的那位工程师的机会。
In a pinch, after all the offices had closed, I phoned my civil engineer father, who, though he built bridges and not hydraulics, relished — in fact, had been waiting all my life for — the chance to talk theory and terminology, as it was going to be the closest glimmer he would ever get to seeing me as the engineer he had once wanted me to be.
这些河流直到当年的十月才完全退去。灾难在无人察觉中悄然蔓延,直至超出人类的控制范围,只有当河流自己说“够了”时,它才结束。这是本世纪即将到来的尘世考验的早期征兆——今年夏天尼泊尔和西藏因冰川崩塌引发的突发洪水,欧洲创下纪录的高温和干旱,程度之深甚至暴露出多瑙河底部的一艘纳粹战舰,以及加拿大的野火,其烟雾从原始火源处传播了一千英里之远——这一切都是历史未被重视的警告的映射。
The rivers did not fully recede until that October. The catastrophe had crept along unnoticed until it was beyond the dominion of man, and it only ended when the rivers said so. It was an early sign of the earthly trials to come in the current century — the sudden flooding in Nepal and Tibet from a collapsing glacier this summer, the record-setting heat and drought in Europe, extreme enough to expose a Nazi warship at the bottom of the Danube, and the wildfires in Canada that sent smoke a thousand miles from the original flames, all reflections of the unheeded forewarnings of history.
人们在大洪水期间逐渐认识到,河流并非我们在任何一天所能看到的那样。河流是它曾经到过的所有地方,以及它可能再次回到的地方。正因为如此,在洪水的第四个月,以及密西西比河两次淹没之后,伊利诺伊州的瓦尔梅耶村向自然的力量屈服了。村民们投票决定将城镇从上个世纪瑞士移民首次定居的肥沃低地搬离,迁至内陆一英里半、海拔高出四百英尺的悬崖上。瓦尔梅耶的居民把河流归还给了河流本身。他们决定再也不能信任它了。
What people came to realize during the Great Flood was that a river is not what we can see on any given day. A river is wherever it has been and could return to again. Which is why, by the fourth month of the flood and after twice being submerged by the Mississippi, the village of Valmeyer, Ill., surrendered to the forces of nature. The people voted to move the town from the rich lowland that Swiss immigrants first settled during the previous century, to a bluff a mile and a half inland and 400 feet higher. The people of Valmeyer gave the river back to itself. They decided they couldn’t trust it anymore.
至于密苏里州哈丁镇的哀悼者们,不幸的是,大多数人未能如愿。虽然超过600具棺材从密苏里河冲走的遗骸中被打捞出来,但只有120具遗骸能够被确认身份。因此,镇上将大部分遗骸重新安葬在一座无名者的集体墓中。有一百四十八位逝者从未被找到,实际上永远沉没于水底,如同沉海一般。
As for the mourners in Hardin, Mo., sadly most did not get their wish. While more than 600 caskets were recovered from what the Missouri River carried away, only 120 remains could be identified. So the town reburied most of them in a mass grave for the unknown. One hundred and forty-eight of the departed were never found and were effectively lost at sea for all time.
那个夏天的痛苦是在没有我们如今视为理所当然的技术的情况下被讲述的,这恰恰证明,即便我们曾经怀疑,技术也无法代替人类的心声。我们或许正在报道一个地区、一个国家或某个专题。我们或许认为自己在写选举、飓风、饥荒、贫困。但我认为,我们实际上一直在写的是人类与逆境抗争、某种程度上幸存下来的古老故事——无论敌人是同类、我们自己建立的制度、不公、贪婪、战争,还是在这种情况下,自然本身的力量。
That summer’s anguish was recounted without the technology we now take for granted, which affirms, in case we ever doubted, that technology cannot speak for the human heart. We may be covering a region or a country or a beat. We may think we are writing about elections, hurricanes, famine, poverty. But what I think we are always actually writing about is the ancient story of humans battling, and somehow surviving, the odds against them, whether the foe is others of our own species, systems of our own making, injustice, greed, war, or, in this case, the power of nature itself.
风暴过去、河流重新平静之后,交通终于在数月的瘫痪后恢复了生机。这使我得以乘坐驳船、拖船以及一切可能的交通工具,进行一次为期六天的密西西比河下游之旅。在那里,我在一艘名为“阿尔顿贝尔”的赌船甲板上遇到了来自密苏里州华盛顿的工程师比尔·肖尔。树线之外,一层灰色的淤泥仍然紧贴着倒塌的房屋和谷仓、被遗弃的农业小镇以及荒芜的玉米地。
Once the storms were over and the river had collected itself, traffic at last came back to life after months of impassibility. This allowed me to make a six-day journey down the Mississippi on barges and towboats and every possible conveyance. There I ran into an engineer from Washington, Mo., named Bill Scholl, on the deck of a gambling boat, the Alton Belle. Beyond the tree line, a gray silt veil still clung to collapsed houses and grain bins, to deserted farm towns and to cornfields laid to waste.
此时河面安静而平稳,仿佛那个夏天什么事也没有发生过。肖尔靠在栏杆上,凝视着我们面前那看似平静却实则暗流涌动的河水。随后他转过头对我说:“河流总会获胜。” “上帝也总会获胜。”
The river was quiet and composed now, as if nothing at all had happened that summer. Scholl leaned on the railing as he fixed his gaze on the deceptively still waters before us. Then he turned to me. “The river always wins,” he said. “God always wins.”