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“我们该如何迎接陌生人——以人性还是以愤怒?”:被遗忘的、在爱尔兰找到庇护所的德国人‘How do we welcome the stranger, with humanity or anger?’ The forgotten Germans who found refuge in Ireland

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德国美因茨国家剧院的《避难所》剧组团结一致……摄影:安德烈亚斯·埃特Sticking together … the cast of Refuge at Staatstheater Mainz, Germany. Photograph: Andreas Etter

一部新剧重新讲述了18世纪爱尔兰德国难民的故事。他们遭受的偏见与排斥,与当今关于移民的讨论产生了共鸣。

A new play revisits the story of Ireland’s 18th-century German refugees, whose experience of prejudice and exclusion resonates with today’s debates over immigration In the early 18th century, a few thousand Germans fled religious persecution and near starvation in their homeland and ended up in remote rural Irish villages. The Irish Palatines, as they were known, were poor, conservative homesteaders who couldn’t speak the language and were the object of suspicion and violence – precursors to the displaced Syrians or Afghans of the past decade.

麻烦随之而来……(从左至右)玛丽·默里、萨巴赫·卡洛、汉娜·冯·派嫩和霍尔格·克拉夫特。摄影:安德烈亚斯·埃特Trouble ensues … (from left) Mary Murray, Sabah Qalo, Hannah von Peinen and Holger Kraft. Photograph: Andreas Etter
“我们对移民的应对是我们这个时代最关键的问题之一”……(从左至右)玛丽·默里、萨巴赫·卡洛和汉娜·冯·派嫩在《避难所》中。摄影:安德烈亚斯·埃特‘Our response to immigration is one of the most crucial issues of our age’ … (from left) Mary Murray, Sabah Qalo and Hannah von Peinen in Refuge. Photograph: Andreas Etter

18世纪初,数千名德国人因宗教迫害和近乎饥荒而逃离家园,最终抵达了爱尔兰偏远的乡村。

Their story is told in Refuge, a co-production between Staatstheater Mainz and the Irish company Fishamble.

他们被称为“爱尔兰帕拉蒂纳人”,是一群贫困而保守的定居者,既不会说当地语言,又成为怀疑与暴力的对象——这仿佛是过去十年中叙利亚或阿富汗难民遭遇的预演。

Part love story, part social commentary, it is performed by a mixed cast, mainly in English but with some German interludes.

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