FIRST ON FOX — A Black conservative filmmaker is challenging the Smithsonian to explain why his documentary questioning progressive views on race has yet to secure a public screening at its African American history museum, which has previously showcased films examining systemic racism.

"White Guilt," directed and co-produced by Eli Steele, is based on a book by his father, noted Black conservative academic Shelby Steele. The younger Steele, who is Black, Jewish and deaf, has drawn on his own experiences to challenge prevailing views on race and identity.

The documentary argues that White guilt over America's racial history, along with fears of being labeled racist, has pushed institutions to prioritize racial identity over individual merit.

The dispute comes as the Smithsonian faces mounting pressure from President Donald Trump and his administration over allegations of ideological bias in its portrayal of American history. The White House has accused the institution of promoting progressive narratives and threatened to restrict federal support, escalating a broader battle over whose perspectives are represented in the nation's museums.

Steele provided communications to Fox News Digital showing that the museum declined his proposed screening dates and offered him a private rental option instead. The filmmaker says the museum has yet to respond to his request for alternative dates for a public screening.

"The film is professionally shot, the quality is there. A comparable film that they've shown is '13th,' which itself is a very controversial film," Steele told Fox News Digital. "So that's the big question we have here: Do we have viewpoint diversity or do we not? Do you have to be the right kind of Black to be shown at the Smithsonian?"

"That's the big question that we have to address in this room. But I hope that it's not about any of that," he continued.

The filmmaker has questioned the apparent decision to not screen his film, given that the museum has allowed numerous other films with more progressive messages to have public screenings, though stopped short of accusing the museum of ideological discrimination.

"13th," the film mentioned by Steele, is featured in educational and public programming at the NMAAHC. It argues that the 13th Amendment’s exception permitting forced labor as punishment for a crime enabled racial control to persist after slavery by allegedly criminalizing Black behavior.

Other films shown by the NMAAHC in public screenings include such titles as "Hidden Figures" in 2016, "I Am Not Your Negro" in 2017 and "Faith in Blackness: An Exploration of AfroLatine Spirituality" in 2023, the latter presented in partnership with the Smithsonian Folklife Festival.

While Steele was hesitant to speculate as to why his film hadn't been scheduled for a public screening, other Black conservatives saw the museum's handling of his request as part of a familiar pattern.

"Academia is not what it was years ago when I went to graduate school, when it touted itself as a marketplace for ideas," Carol Swain, a retired Black conservative professor and prominent media commentator, told Fox News Digital. "There would always be a token conservative included. And I have found over the years that conservatives were tolerated less and less. And if they were black, at some point they were not tolerated at all."

"When you look at an institution like the Smithsonian, that's supposed to belong to all of us, to all Americans, you would think that it would be open to divergent views," Swain, who spent her career at institutions such as Princeton and Vanderbilt, continued. "That is not what we find." Wall Street Journal columnist and Manhattan Institute senior fellow Jason Riley shared a similar perspective.

"I think the type of people who run the Smithsonian Institute are part of the broader liberal intelligentsia in this country that prevails in academia, prevails and the media. And this is not a point of view. That they take kindness to," Riley told Fox News Digital. "In fact, this film takes some rather direct shots at that group of people. So there might be some self-interest here. It might cut a little too close to these folks."

"I do think that they have a vested interest in putting forward a narrative out there to advance a political agenda. And I think that's what's really going on here at places like the Smithsonian," Riley continued, citing his experience as a Black commentator who has spent his career sparring with White liberals. Both Riley and Swain argued that viewing the film could do a service to White progressives by challenging their assumptions about race and forcing them to confront whether their preferred policies are actually helping Black America.

Riley stated that the Black Americans who regularly attend the NMAAHC could benefit from Steele’s film as it challenges the popular assumption that they are blocked from social mobility by virtue of their race.

In recent months, the Smithsonian has been the target of criticism from Republican elected officials, including the president, who argue that the institution has allowed political bias to overshadow the neutral presentation of history, an argument some within the organization reject, claiming that they are simply presenting the good and the bad aspects of the American story. As part of its effort to pressure the Smithsonian over what it describes as ideological bias, the Trump administration has threatened to restrict federal support, including discretionary grants and cooperation from federal agencies.

While Riley and Swain raised questions about the Smithsonian's motives, the museum told Steele that his proposed dates were unavailable but did not explain whether it would consider alternative dates for a public screening, according to correspondence reviewed by Fox News Digital.

Steele and his team reached out to the Smithsonian in late August about a public screening of their film, receiving a response within the day directing them to fill out an event application form, according to correspondence reviewed by Fox News Digital. In early September, they submitted a completed application form and provided two possible dates for a screening.

About two weeks later, the NMAAHC responded by informing them that neither date was available for a public screening, according to the correspondence. After Steele's team asked about alternatives, the museum offered them the option of renting space for a private screening at a quoted cost of $35,000, according to correspondence reviewed by Fox News Digital, rather than arranging a museum-sponsored public screening.

When Steele and his team clarified that they wanted a public screening and signaled flexibility on their requested dates, they received no response from the museum, per correspondence reviewed by Fox News Digital.

"Answering email does not take that much time," Steele told Fox News Digital. "I watched the film last night.

It's a well-made and powerful representation of ideas that Shelby Steele has been developing over the last 40 years," Glenn Loury, an African American professor at Brown University who has described himself as "conservative-leaning," told Fox News Digital. "Those ideas — about how racial identity interacts with the pursuit of ‘black power’ and the quest for ‘white innocence’ in the West — are vividly illuminated through the film's exploration of a number of exemplary cases."

"The arguments advanced via Steele's eloquent narration in the film are not beyond questioning, but they are invariably provocative and insightful," he continued. "It would certainly be an appropriate use of the platform of the Smithsonian’s National Museum of African American History and Culture to screen this documentary, as a means of provoking critical engagement with its themes from all corners of the political/ideological spectrum."

IN PICTURES: HISTORIC SMITHSONIAN MUSEUM PACKED WITH WOKE POLITICAL MESSAGING ON RACE AND GENDER NMAAHC did not respond to a request for comment when reached by Fox News Digital.

"My father, Shelby Steele, was born into segregation and has spent decades examining how America has changed, how far we have come, and what still divides us. ‘White Guilt,’ drawing on his 2006 book, brings that work to the screen," Steele said in a statement provided to Fox News Digital. "We approached the Smithsonian’s African American museum because we believe that conversation belongs there. Sharing his life’s work in a museum dedicated to the history he lived would mean a great deal to both of us." "Our proposal remains open, and we would appreciate an answer."