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华尔街日报

《赫尔松的母亲们》评论:乌克兰危机搬上歌剧舞台‘The Mothers of Kherson’ Review: Ukrainian Crisis on an Opera Stage

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《赫尔松的母亲们》中的一个场景。克日什托夫·别林斯基A scene from ‘The Mothers of Kherson.’ Krzysztof Bieliński

一部令人震惊的、极具时代感的作品,讲述俄罗斯在乌克兰战争期间绑架儿童的罪行,由大都会歌剧院联合委约制作,于上周在华沙首演。《赫尔松的母亲们》剧照。

A startlingly of-the-moment work about Russia’s abduction of children during the war in Ukraine, co-commissioned by the Metropolitan Opera, had its premiere in Warsaw last week. A scene from ‘The Mothers of Kherson.’

克日什托夫·别林斯基 华沙 在这座城市,乌克兰战争触手可及。自俄罗斯全面入侵近五年来,波兰已接纳了来自东部这个饱受摧残的邻国的百万多名难民。年纪稍长的波兰人还记得俄罗斯帝国主义侵略的模样,而在波兰首都的戏剧制作、艺术展览和涂鸦中,随处可见支持乌克兰的情绪。

Krzysztof Bieliński Warsaw In this city, the war in Ukraine feels immediate. Since the full-scale Russian invasion nearly five years ago, Poland has welcomed well over a million refugees from its beleaguered neighbor to the east. Poles over a certain age remember what Russian imperial aggression looks like, and pro-Ukrainian sentiments can be gleaned from theatrical productions, art exhibitions and graffiti throughout the Polish capital.

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