在埃隆·马斯克宣称Grok将推出一部全长、且“历史准确”的电影版《奥德赛》三个月后，Grok发布了整整七分钟的内容，公司现在称之为“我们的《奥德赛》系列第一集”。
Three months after Elon Musk declared that Grok would release a full-length, “historically accurate” movie version of “The Odyssey,” Grok has published a whole seven minutes, which the company is now calling“Episode 1 of our Odyssey series.”
马斯克此前曾猛烈抨击克里斯托弗·诺兰的版本《奥德赛》，因为诺兰起用了非白人和跨性别演员。在许多方面，诺兰都是马斯克的完美对照——当SpaceX和特斯拉首席执行官大肆宣扬太空数据中心、并发布源源不断的AI生成内容时，诺兰却将自己描述为“技术怀疑论者”，并表示在AI出现之前，他从未见过一种技术“被公众如此彻底地拒绝”。
Musk had previously lashed out at Christopher Nolan’s version of “The Odyssey”because Nolan cast nonwhite and transgender actors.
而且，虽然诺兰版《奥德赛》当然也大量使用了视觉特效，但它主要是实拍电影制作的壮举，拍摄跨越六个国家，演职人员达数千人。该片于7月上映后，取得了非凡的票房成功，IMAX场次售罄数月，并成为下届奥斯卡金像奖的有力领跑者。至于Grok版《奥德赛》（由Wonder Studios与导演德夫·沃克合作制作），各位可以自行观看。
And Nolan is, in many ways, a perfect foil for Musk — while SpaceX and Tesla CEO hypes up data centers in space and posts an unending stream of AI-generated content, Nolan has described himself as“a techno-skeptic” and said that before AI, he’d never seen a technology “so completely rejected by the public.”And while Nolan’s version of “The Odyssey” certainly used plenty of visual effects, it’s primarily a feat of practical filmmaking with a shoot spanning six countries and a cast and crew of thousands. After its release in July, the film became an extraordinary box office success selling out Imax screenings for months and becoming the likely front-runner at the next Academy Awards As for the Grok version of “The Odyssey” (created in collaboration with Wonder Studios and director Dev Walker), well, you can watch for yourself.
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与 @WonderStudiosX 和导演 Dev Walker @glumlot_ 进行创意合作 2026年10月23日我不得不承认，这并没有我想象中那么惨不忍睹，当然也比马斯克最近发布的其他视频令人印象深刻得多。如果我不了解内情，有些时刻我甚至会以为这些是真正的演员在真实的大海上航行。虽然我无法评判 Grok 的历史准确性，但似乎不得不做一些妥协，因为没有人用古希腊语对话。
Creative collaboration with @WonderStudiosX and director Dev Walker @glumlot_ October 23, 2026 I’ll admit it’s not as spectacularly ugly as I’d expected, and certainly more impressive than other videos that Musk has posted recently. If I didn’t know better, there were moments when I might have thought these were real actors sailing across a real sea. And while I can’t speak to Grok’s historical accuracy, it does seem that some fudging was necessary, since no one’s speaking in ancient Greek. had to be made.
但至少所有角色都拥有马斯克认可的肤色，而旁白使用的英式口音，对任何玩过奇幻电子游戏或看过过去25年好莱坞通用史诗大片的人来说都耳熟能详。
But at least all the characters come in a Musk-approved skin color, while the narrator uses a British accent that will sound familiar to anyone who’s played a fantasy video game or watched a generic Hollywood epic from the past 25 years.
这段素材真正缺乏的是任何艺术性、灵感或人文关怀的感觉。背景故事——通过上述旁白讲述——似乎没完没了，最后让位于一个接一个的胡子脸庞，每个人都在喊着生硬的台词，让诺兰那些令人质疑的对话（“我们的青铜时代正在崩塌！”）听起来都像莎士比亚一样。
What the footage really lacks is any sense of artistry, inspiration, or human interest. The backstory — delivered via the aforementioned voiceover — seems to go on forever, finally giving way to one bearded face after another, each shouting stilted lines that make Nolan’s questionable dialogue (“Our age of bronze is collapsing!”) sound like Shakespeare.
虽然个别镜头可能提供了一个合理的现实拟像，但作为一个整体，这段视频感觉完全毫无生气，给观众没有任何动势感，也没有任何理由去关心屏幕上的人或事。而在诺兰近三小时的《奥德赛》中我毫无困难地全神贯注，我看 Grok 版甚至还没过半，就无精打采地查看还剩多少时间。如果这是游戏过场动画，我早就按下“跳过”键了。
While a few individual shots might provide a reasonable simulacrum of reality, as a whole, the clip feels completely airless, offering viewers no sense of momentum, no reason to care about anyone or anything on-screen. And where I had no trouble paying attention for the nearly three hours of Nolan’s “Odyssey,” I was listlessly checking how much time I had left before the Grok version was even halfway through. If it was a video game cutscene, I would have hit the “skip” button.
很难想象自己会对再看七分钟这个感兴趣，更别说一部完整的电影了。
It’s hard to imagine being interested in another seven minutes of this, much less a full movie’s worth.